Miguel Barba's blog
A propósito da reedição de “Escrítica Pop”, MEC deu uma entrevista fantástica a José Marmeleira, no Ípsilon, onde a música está no cerne de tudo. Ouvir música, escrever sobre música, respirar música, descobrir música. ❤️
Link para o artigo está aqui, mas também o podem ler aqui por baixo.
Ted Kessler é irmão de Daniel Kessler, guitarrista dos Interpol e escreveu um texto magnífico sobre o irmão no Guardian. Para ler basta clicar sobre a imagem ou aqui.
“Riderless Horse is my first solo record, and it’s the first record my former partner, Kennan Gudjonsson, didn’t produce. I haven’t made an album since 2010. I decided to stop pursuing music several years after my sixth record, Outlaster, because of unhappiness, overwhelming chaos, mental illness, and my tragically dysfunctional relationship with Kennan. Creating music had always been a positive outlet during difficult times, but eventually it became a source of absolute misery. Kennan, a cat and I lived in a studio apartment in NYC for 25 years, finding ways to survive while making records and going on tours. Our apartment was the place where people would come stay, eat, drink, play music, and use our tub. It was quite a home we had created, but it was decaying steadily from the moment we moved in, and in the end, it was as if black mold was growing beneath the surface, undetected, and the two of us were dying and getting too weak to ever leave. We loved each other. We were each other’s family, but there was ongoing abuse, control and manipulation. We hid. We didn’t want anyone to see how ugly things could get, so we increasingly isolated from our friends and family. We were lost. On January 26, 2020, I made the decision to separate and live apart, and on January 27, Kennan died by suicide. What a thing, suicide. I can only feel sadness and guilt about it. Maybe I’ll have other reactions to it later on. Riderless Horse documents the grief, but it also marks moments of empowerment and a real happiness in discovering my own capability. Steve Albini produced this record with me, and Greg Norman assisted. The three of us are old friends, and we did a field recording in a guesthouse built like a lighthouse that two very dear friends of mine have in Esopus, NY. It was exactly the right environment to work on this record. We all had meals together, cried, laughed, and told stories. It was perfect. It made me realize how much I love writing, playing and recording music. Terrible things happen. These were some terrible things. So, what to do – learn something valuable, connect with people, move the fuck out of that apartment, remember the humor, find the humor, tell the truth, and make a record. I made a record” – Nina Nastasia
🖤
Entre o piano a guitarra acústica foi possível escutar “Engine Of Hell” na íntegra. A sua beleza ímpar, em cada nota, em cada acorde, em cada palavra cantada ou sussurrada, em cada imperfeição sempre assumida. A forma sempre desarmante e sincera com que Emma Ruth Rundle se dirigiu a quem lotou a sala. O sentimento estranho, mas muito agradável de, findo o concerto nos sentirmos pequeninos, mas, ao mesmo tempo, muito, muito felizes. Porque é bom quando percebemos claramente o nosso lugar. E no final houve ainda oportunidade para escutar «Marked for Death», «Living With the Black Dog» e «Pump Organ Song». Tudo certo. ❤️
Nick Cave & The Bad Seeds.
NOS Primavera Sound 2022.
9 de Junho.
Capitólio, 19 de Abril.